From the outset, you get the distinct impression that Erik Poppe’s new film is not going to be a picnic. A Thousand Times Good Night is Poppe’s fourth film, of which great things were expected, and he grabs your attention even before the opening credits have finished. Make no mistake about it, Popp wants you focused from the getgo and is not the slightest bit concerned about showing you difficult, uncomfortable imagery to convey that fact.
Leadbetter On Film 