horror
Alien Abduction (2014) – Review
The Quiet Ones (2014) – Review
I, Frankenstein (2014) – Review
Dead of Night (1945) – Review
Eailng Studios, at the conclusion of World War II, was not best known for its forays into the world of horror. In fact, this practice by the studio was extremely rare. With the banning of horror films in general during the war, the opportunity for some of the Studio’s more familiar stars to take advantage of this new found creative freedom appeared to be too good an opportunity to ignore, and Ealing produced the portmanteu anthology of horror tales featured here.
Devil’s Due (2014) – Review
The Borderlands (2013) – Review
13 Sins (2014) – Review
What would you do? This question has long been posed by some of cinemas most mischevious film-makers. 13 Sins takes this morality poser to what must be the most intriguing tangent in quite some time. In order for this to work (and the reason for some of the film’s less enamoured reviews) our protaganist has to be something of the ordinary. If not, the audience will be unable to relate to him and as such, the question will be lost, with the viewer merely looking on as observer in a story that they have no personal psychological investment in.